APRIL 2023 · ROAM
Lacock - National Trust village
Wiltshire
William Henry Fox Talbot made his first photographic negative here in 1835. A window in Lacock Abbey — the oriel window, latticed glass in small panes — was the subject. The negative is small and scratchy and imprecise, and it is the beginning of everything this camera is descending from.

The whole village is National Trust. That is why it keeps ending up as a BBC period drama location, and why walking through it in April with a camera feels slightly recursive — this is a place that has been photographed professionally, continuously, for decades. Every street corner is a location scout's tick. The problem is not finding a frame; it's finding one that doesn't look like a production still.
The problem is not finding a frame; it's finding one that doesn't look like a production still.
Lacock — April 2023

The terracotta pots against the weathered brick wall are honest. Stacked, various sizes, slightly haphazard, ivy growing in the window behind them — this is not dressed for camera, it's just how someone stores pots. The brick is old enough that the colour has gone to something between orange and grey.


The Victorian greenhouse inside the abbey grounds: lush tropical plants inside glass and stone, the structural ironwork of the roof above them. The plants are incongruous and completely at home. The glass holds warmth. A gardener maintains it; the plants don't know they're in Wiltshire.

The half-timbered street — white and dark timber framing, multi-paned dormer windows, the row of cottages running away from the camera — is the thing people come to photograph. It earns its reputation. The stone street surface and the scale of the buildings together achieve something that modern construction can replicate only with effort.
One figure visible at mid-distance on the street. No one else in frame. In April, midweek, Lacock is quiet enough to photograph.
