Into sleep

South Gloucestershire, England


By November the woods in South Gloucestershire are mid-transition. Not the peak colour of October — that's gone. What's left is a specific quietness: the floor thick with fallen leaves, the trees still holding some gold, moss reasserting itself on every trunk and log. The cold has arrived but the dormancy isn't complete.

Golden autumn leaves with soft bokeh on branches against dark background
Flektogon at F1.8, November light

I brought the Pentacon and the Flektogon. The vintage lenses were a deliberate choice for a season that's about softness and decomposition. The Flektogon especially — at F1.8 it swirls the background into something close to what the woods felt like. I shot the same ivy-covered trunk at both F5.6 and F1.8. Sharp versus soft. The F5.6 version is technically better. The F1.8 version is more accurate.

The F1.8 version is more accurate.

South Gloucestershire woodland — November 2024

Single bright yellow maple leaf centred on dark rust-brown forest floor
Isolated, lit from above

What persists in November woods: moss on every horizontal surface, toadstools in clusters on the decaying wood, ivy green against all the brown. A single yellow maple leaf centred on the dark rust-brown floor — isolated, lit from somewhere above. Three luminous yellow-green maple leaves with scattered gold below them, backlit, the Flektogon catching something close to stained glass.

Low angle of moss-covered fallen logs surrounded by autumn leaves
Clustered brown toadstools growing on verdant moss among autumn debris
Three luminous yellow-green maple leaves with scattered golden leaves below
Rough tree trunk covered in moss with ivy leaves sprouting vertically

The floor photographs better than the canopy. Fallen logs carpeted in moss, roots emerging from the leaf litter, trunks with dried ivy draped along their length. Low angle: the scale shifts, fallen branches become landscape.

Delicate frosted seed heads silhouetted with soft bokeh woodland blur
Visible only because of what's behind them

Frosted seed heads appear in the last few frames — delicate silhouettes against the soft woodland blur. The bokeh swirls around them. Dried fern fronds fill one whole frame, earthen gold, nothing else. Pale ivy on a weathered trunk, ferns blurred behind.

The woods are going to sleep. Not dead — just very quiet. The camera was trying to hear it.

Dried fern fronds in earthy golden-brown tones filling the frame
Earthen gold, nothing else
Full series — Into sleep 20 photographs

Golden autumn leaves with soft bokeh on branches against dark background

Rough tree trunk covered in moss with ivy leaves sprouting vertically

Dense woodland floor carpeted in orange fallen leaves with green saplings

Moss-covered tree roots emerging from carpet of rust-brown fallen leaves

Low angle of moss-covered fallen logs surrounded by autumn leaves

Moss-covered trunk with scattered autumn leaves and ferns in soft light

Clustered brown toadstools growing on verdant moss among autumn debris

Small green ivy leaves backlit against golden beech leaves with soft blur

Pale green heart-shaped ivy leaves against vivid moss-covered bark

Single bright yellow maple leaf centred on dark rust-brown forest floor

Three luminous yellow-green maple leaves with scattered golden leaves below

Massive moss-covered tree trunks in darkened forest with autumn canopy

Golden sapling surrounded by tall darkened trees in autumn woodland

Dark fallen tree trunk covered in dried ivy leaves crossing forest floor

Tree trunk with cascading ivy leaves against blurred autumn background

Fallen branches shelter beneath tall tree trunks on golden leaf bed

Autumn beech foliage glowing orange above dark moss-covered trunk

Delicate frosted seed heads silhouetted with soft bokeh woodland blur

Dried fern fronds in earthy golden-brown tones filling the frame

Pale ivy leaves clinging to weathered trunk with brown ferns blurred behind

Grounded Into sleep
View the full gallery →