JULY 2024 · ROAM
DO NOT HESITATE HERE.
Grainger Town, Ouseburn and Gateshead · Tyneside
Grainger Town is Georgian at the centre and industrial at the edges. The covered passage with its ornate archway opens onto a sunlit Georgian square in one direction and a brick alley in the other. Both are the same city. A heritage railway station platform with red parking sign and arched stone architecture: the Victorian infrastructure still running, adapted rather than replaced.
The bridges over the Tyne are the real subject. The steel framework photographed from below shows dramatic structural geometry, the riveted ironwork a specific shade of green where it reflects in the water. The Swing Bridge in symmetry: weathered green panels, the reflection holding below. The Baltic Flour Mills reflected in the Tyne, its monumental arches doubled in the water. The bridges are monuments to a working city that made the things it still contains.

Down in Ouseburn, three fishing boats are beached at low tide, the mud visible beneath them. A derelict fishing boat is partially submerged further along, scattered debris on the waterfront behind it. The old wooden boat dock with metal railings. At Gateshead, an old fishing boat moored beside a derelict wharf and machinery — the machinery still there, the work gone.
Always showing you two eras simultaneously, neither one complete without the other.
Grainger Town, Ouseburn and Gateshead — July 2024

The walls hold history differently. Ancient stone steps with patina moss between red brick and sandstone. A stairwell with bold blue and red graffiti tags ascending the brickwork. A brick wall with dense graffiti tags below an elevated railway structure. A concrete underpass with a warning sign and the text ROSSALAMUS on a deteriorating blue panel. The surface has gone. The name hasn't.


An ornate Victorian building with a teal copper dome above the sandstone cornice. A modern glassy dome structure moored on the Tyne riverbank below an industrial steel frame. The new and old appearing in the same frame without reconciling.
A concrete stairwell creates a receding geometric tunnel of metal meshwork. A symmetrical underpass: repeating steel beams casting geometric shadows on the pavement. The architecture of crossing over and going under, everywhere.

The brick archway frames figures in a street scene. The modern apartment building above a historic brick workshop with bright yellow garage doors. Newcastle is always showing you two eras simultaneously, neither one complete without the other.































