APRIL 2024 · ROAM
Helios 44-2 - Bristol North Central
Kingsdown, Bristol
Kingsdown is uphill from the city centre in every sense. Georgian terraces, a concentration of independent buildings, dense street-level history. The architecture layers centuries without resolving them: pink and white rendered facades next to exposed brick, brutalist concrete slabs with asymmetric window grids sitting against 18th-century townhouses. On one building a white art deco face sculpture is visible behind reflective glass that was fitted over it at some point and never removed. The face looks out through its own double.

I brought the Helios again. The lens is slow to use — the backward aperture labelling is a constant small annoyance, and the focus ring demands that you know your distances rather than reading them from a scale. In a place like Kingsdown that slowness has a cost: you miss things while you're adjusting. But it also forces you to commit. You stop, you set, you take the frame you set up. No rapid-fire.
You stop, you set, you take the frame you set up. No rapid-fire.
Kingsdown — April 2024

The lens was built for bokeh and this was not primarily a bokeh outing. Kingsdown's geometry — its layers of period and material — demanded sharpness. The cylindrical metal columns outside one building, shot tight, produce a characteristic Helios rendering: the edge of the cylinder in focus, the background separating into something between blur and swirl. At a courtyard passage the ivy-covered brick and the receding depth of the walkway gave the lens more to work with.


A mauve wall with graffiti and a white boarded window. A minimalist brick building with one white door, small openings, no ornamentation. A Georgian townhouse with mismatched paint colours and a Union Jack in a first-floor window.

The Union Jack in the first-floor window was the only deliberate statement. Everything else just happened.






